Utopia

HAZEL evoking a plant, a color, eyes. What if the hazel
BERETs were a group devoted to spreading good, rejecting
FALSE greatness, seeking the welfare of all? An anti-
COVEN, something the larger group embraced, not feared? And how soon would they fail their own aspirations?

Rivalry

BROWN van barrels into the
PLAZA, screeches to a stop.
DRUNK UPS driver stumbles out. Couldn’t
DODGE Fedex driver’s cutting words. So what if the uniform is ugly? Good work is still being done.

CGI

DELVE into tale of wizardry, not through book, but
PIXEL’s murk, green screen and algorithm’s haze.
MINOR fascinations given effect, person and story stripped bare.
CLOAK of invisibility? Cast over all that is compelling.

Not a Boxer

CHIME sounds. Other guy darts in and clocks him. Consciousness circles the
DRAIN. Blackness. 3 minutes later, or a day, he comes to.
WHOSE body is he in? Who could have so much pain?
BOXER decides then and there: he’s not a boxer.

Schachnovelle

THUMB inky, Zweig pauses from feverish writing about feverish
CHESS, tale of a man whose body slipped the Gestapo’s clutches, whose mind did not.
SYRUPy Fios de Ovos is brought to his table. The
HOTEL staff quietly fusses over Zweig. Perhaps the care of staff may yet ground an unquiet mind.


Note: I’m imaging Stefan Zweig in 1941 writing his Chess Story, or Royal Game, in a hotel in PetrĂ³polis, Brazil (though I think he actually wrote in his own house there). His life was shadowed by the disintegration of the Austro-Hungarian monarchy at the end of World War I. He wrote of the passing of the Austrian culture and way of life he had known in the The World of Yesterday. Zweig, like Dr. B in the Schachnovelle (the German title of Chess Story) was able to escape Nazism. As a Jew, he wisely fled Austria in 1934, when Hitler came to full power in Germany. Yet, his sense of loss was too great. Within a year of writing the Schachnovelle, Zweig committed suicide.

All this Sand

VERGE of sand, bordering on sand, looking out on sand.
CAMEL stands there with a camel smile,
PUTTY lips chewing away on a tuft of saltbush.
GRASS would be juicier, but grass is not to be had, here in all this sand.

Cruelty and Anger

CRUEL words, a given of life, but uneasy input to a poem.
LIVID comes next, adding to oppressive sense. Cruelty and anger,
SPIED at remove, or experienced up close, or inflicted,
BLEND into malaise. Where is peace, where joy, who can establish them?


Note: still behind a day.

Connecticut Yankee Yearns for a Cigar

RIVETs on the armored wagon finished, he flips up the welding
VISOR. He wants a cigar. War gear he can fashion. But tobacco?
CEASEless forging of weaponry needs iron and fire, stable across much time: war is always
AFOOT. But plants a continent over? More than smithing is involved.


Note: I was behind a day. Now I want to re-read https://en.wikipedia.org/wiki/A_Connecticut_Yankee_in_King_Arthur%27s_Court